Monday, October 23, 2023

Far From the Madding Crowd by Thomas Hardy

Thomas Hardy wants you to slow down.

The sky was clear -- remarkably clear -- and the twinkling of all the stars seemed to be but throbs of one body, timed by a common pulse.  The North Star was directly in the wind’s eye, and since evening the Bear had swung round it outwardly to the east, till he was now at a right angle with the meridian. A difference of colour in the stars -- oftener read of than seen in England -- was really perceptible here. The sovereign brilliancy of Sirius pierced the eye with a steely glitter, the star called Capella was yellow, Aldebaran and Betelgueux shone with a fiery red.

To persons standing alone on a hill during a clear midnight such as this, the roll of the world eastward is almost a palpable movement. The sensation may be caused by the panoramic glide of the stars past earthly objects, which is perceptible in a few minutes of stillness, or by the better outlook upon space that a hill affords, or by the wind, or by the solitude; but whatever be its origin the impression of riding along is vivid and abiding. The poetry of motion is a phrase much in use, and to enjoy the epic form of that gratification it is necessary to stand on a hill at a small hour of the night, and, having first expanded with a sense of difference from the mass of civilized mankind, who are dreamwrapt and disregardful of all such proceedings at this time, long and quietly watch your stately progress through the stars. After such a nocturnal reconnoitre it is hard to get back to earth, and to believe that the consciousness of such majestic speeding is derived from a tiny human frame.

Slow down and pay attention to the glacial and global forces that surround you, be they among the stars in the heavens above or among small and simple folk in a particular patch of earth in southwestern England.

To-day the large side doors were thrown open towards the sun to admit a bountiful light to the immediate spot of the shearers’ operations, which was the wood threshing-floor in the centre, formed of thick oak, black with age and polished by the beating of flails for many generations, till it had grown as slippery and as rich in hue as the stateroom floors of an Elizabethan mansion. Here the shearers knelt, the sun slanting in upon their bleached shirts, tanned arms, and the polished shears they flourished, causing these to bristle with a thousand rays strong enough to blind a weak-eyed man. Beneath them a captive sheep lay panting, quickening its pants as misgiving merged in terror, till it quivered like to hot landscape outside.

This picture of to-day in its frame of four hundred years ago did not produce that marked contrast between ancient and modern which is implied by the contrast of date. In comparison with cities, Weatherbury was immutable. The citizen’s ‘Then’ is the rustic’s ‘Now’. In London, twenty or thirty years ago are old times; in Paris ten years, or five; in Weatherbury three or four score years were included in the mere present, and nothing less than a century set a mark on its face or tone. Five decades hardly modified the cut of a gaiter, the embroidery of a smock-frock, by the breadth of a hair. Ten generations failed to alter the turn of a single phrase. In these Wessex nooks the busy outsider’s ancient times are only old; his old times are still new; his present is futurity.

He wants this so much that we wrote six novels about this place -- Far From the Madding Crowd but one -- this place where nothing changes except, perhaps, the hearts of the people forced to find some semblance of their own purpose against such an ancient and antagonist backdrop. 

And in that regard, pay heed to the lesson Hardy offers in the opening pages of a young sheep dog called George’s son who, in its youthful exuberance, drove his master’s flock over a precipice where they fell to their deaths.

George’s son had done his work so thoroughly that he was considered too good a workman to live, and was, in fact, taken and tragically shot at twelve o’clock that same day -- another instance of the untoward fate which so often attends dogs and other philosophers who follow out a train of reasoning to its logical conclusion and attempt perfectly consistent conduct in a world made up so largely of compromise.

It’s dangerous here, in these places far from the madding crowd, exposed at the sharpest corners, as George’s son couldn’t understand, to the compromises life -- and the human heart that pumps and sustains it -- must always make with its environment if it is to survive.

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This post first appeared on Eric Lanke's blog, an association executive and author. You can follow him on Twitter @ericlanke or contact him at eric.lanke@gmail.com.




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