As I’ve written elsewhere -- anyone who is familiar with Cooper is familiar with The Last of the Mohicans. Some smaller portion of those people are familiar with the larger Leatherstocking Tales, a series of five novels among which The Last of the Mohicans is the second, chronologically. Some smaller portion of those people are familiar with other series that Cooper wrote, especially one called The Littlepage Manuscripts, of which Satanstoe is the first chronological volume.
I first read Satanstoe in my dimly-remembered past -- 1992ish, based on my log of read books. I didn’t remember much about it, other than it set me on my quest to acquire the other two volumes in the series -- The Chainbearer (which I eventually found in a used bookstore somewhere) and The Redskins (which I broke down and purchased as a ‘print and ship’ option off the Internet).
And now, I’ve recently re-read Satanstoe and it, sadly, left even less of an impression on me this time. The entire series of Littlepage Manuscripts is loosely about the issues behind the American Anti-Rent War of the early 1840s (when the novels were written), in which several “Anti-Renters” declared their independence from the manor system run by their patroons, resisting tax collectors and successfully demanding land reform. To Cooper, these Anti-Renters were a mob, dangerously taking the principles of democracy too far, and stripping inalienable property rights from their betters.
The trilogy is the story of several generations of Littlepages, who own vast tracts of undeveloped land in upstate New York, and who battle against their upstart renters and other indigenous and foreign adversaries. In Satanstoe, the name of their ancestral estate on Long Island, the protagonist is a young Cornelius Littlepage, with the events taking place in the 1750s. As a result, almost none of the anti-rent issues are really explored in the plot. Instead, it is much more of a romance, as young ‘Corny’ pursues and eventually marries an equally young Anneke Mordaunt, thereby becoming the patriarch and matriarch of the Littlepages in the following novels.
It is very much a tale reminiscent of The Last of the Mohicans, with young women in danger in the wilderness, who must be protected by the young white men and their Indian guides. And for me, it is one of these Indian guides, known, as usual, by various names, that proves to be the most interesting.
This Indian was about six-and-twenty years of age; and was called a Mohawk, living with the people of that tribe; though I subsequently ascertained that he was in fact an Onondago by birth. His true name was Susquesus or Crooked Turns; an appellation that might or might not speak well of his character, as the “turns” were regarding in a moral or in a physical sense.
“Take that man. Mr. Littlepage, by all means,” said Herman Mordaunt’s agent, when the matter was under discussion. You will find him as useful in the woods as your pocket-compass, besides being a reasonably good hunter. He left here as a runner during the heaviest of the snows last winter, and a trial was made to find his trail within half an hour after he had quitted the clearing, but without success. He had not gone a mile in the woods before all traces of him were lost, as completely as if he had made the journey in the air.”
It is this ability to move without leaving a trace through the forest that gives Susquesus his most oft-repeated sobriquet, that of Trackless -- but in many ways Trackless is the very Pathfinder that will come out so strongly in Cooper’s more famous novels.
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This post appeared on Eric Lanke's blog, an association executive and author. You can contact him at eric.lanke@gmail.com.
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